A companion to modern African Art / (Record no. 13367)
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| 001 - CONTROL NUMBER | |
| control field | ocn875241228 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20171224114559.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS--GENERAL INFORMATION | |
| fixed length control field | m o d |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr cn||||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 131026s2013 enka ob 001 0 eng d |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | K6U |
| Language of cataloging | eng |
| Description conventions | rda |
| -- | pn |
| Transcribing agency | K6U |
| Modifying agency | OCLCO |
| -- | E7B |
| -- | COO |
| -- | OCLCO |
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| 019 ## - | |
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| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781118515068 |
| Qualifying information | (e-book) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 1118515064 |
| Qualifying information | (e-book) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 1444338374 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781444338379 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781118515051 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 1118515056 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781118515105 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 1118515102 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Cancelled/invalid ISBN | 9781444338379 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 1306140749 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781306140744 |
| 029 1# - (OCLC) | |
| OCLC library identifier | AU@ |
| System control number | 000052334829 |
| 029 1# - (OCLC) | |
| OCLC library identifier | AU@ |
| System control number | 000053038100 |
| 029 1# - (OCLC) | |
| OCLC library identifier | AU@ |
| System control number | 000053308181 |
| 029 1# - (OCLC) | |
| OCLC library identifier | CHBIS |
| System control number | 010131771 |
| 029 1# - (OCLC) | |
| OCLC library identifier | CHVBK |
| System control number | 314714766 |
| 029 1# - (OCLC) | |
| OCLC library identifier | NZ1 |
| System control number | 15340171 |
| 029 1# - (OCLC) | |
| OCLC library identifier | GBVCP |
| System control number | 86314666X |
| 029 1# - (OCLC) | |
| OCLC library identifier | DEBBG |
| System control number | BV043396645 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)875241228 |
| Canceled/invalid control number | (OCoLC)861559787 |
| -- | (OCoLC)863672746 |
| -- | (OCoLC)961624962 |
| -- | (OCoLC)962571986 |
| 037 ## - SOURCE OF ACQUISITION | |
| Stock number | 545325 |
| Source of stock number/acquisition | MIL |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | N7391.65 |
| Item number | .C65 2013eb |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 709.0 |
| Item number | 23 |
| 049 ## - LOCAL HOLDINGS (OCLC) | |
| Holding library | MAIN |
| 245 02 - TITLE STATEMENT | |
| Title | A companion to modern African Art / |
| Statement of responsibility, etc | edited by Gitti Salami and Monica Blackmun Visona. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | First edition. |
| 264 #1 - | |
| -- | Chichester, West Sussex : |
| -- | Wiley Blackwell, |
| -- | 2013. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (650 pages) : |
| Other physical details | illustrations. |
| 336 ## - | |
| -- | text |
| -- | txt |
| -- | rdacontent |
| 337 ## - | |
| -- | computer |
| -- | c |
| -- | rdamedia |
| 338 ## - | |
| -- | online resource |
| -- | cr |
| -- | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | Wiley Blackwell companions in art history ; |
| Volume number/sequential designation | 6 |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc | Includes bibliographical references and index. |
| 588 0# - | |
| -- | Online resource; title from PDF title page (ebrary, viewed December 12, 2013). |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Cover; WILEY BLACKWELL COMPANIONS TO ART HISTORY; Title page; Copyright page; Dedication; List of Figures; Notes on Contributors; Acknowledgments; Note; Part I: Introduction; 1 Writing African Modernism into Art History; Narrations of Modernism and Modernity; Centering Narratives on Africa's Art Worlds; Chapter Overview; Lacunae and Disjunctures; Notes; References; Part II: "Africa Has Always Been Modern"; 2 Local Transformations, Global Inspirations: The Visual Histories and Cultures of Mami Wata Arts in Africa; Sacred Waters: Ancient and Indigenous Arts for African Water Deities. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Afro-Mami Meets Euro-Mermaid: A Fifteenth-Century Sapi Synthesis The Mermaid: A Floating Signifier; The Double-Tailed Mermaid in the Art of Benin; Mami Wata and the Image of the Snake Charmer; The Snake Charmer as Mami Wata in Africa; Mami Wata and Hindu Gods and Goddesses; Communicating with Mami Wata: Writing, Reflecting, Calling; Troubled Waters: From Saint to Sinner; Notes; References; Part III: Art in Cosmopolitan Africa: The Nineteenth Century; 3 Loango Coast Ivories and the Legacies of Afro-Portuguese Arts; Hybrids at Hello; Contact and Catastrophe; Afro-Portuguese Ivories. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | The Loango Ivories"Authenticity": Drawing the Line; Pointed Imagery; More Animal Tales; Double-Take; Notes; References; 4 Roots and Routes of African Photographic Practices: From Modern to Vernacular Photography in West and Central Africa (1850-1980); "COME ONE! COME ALL! and secure the shadow ere it fades"; Toward a History of Photography in West and Central Africa; Pioneer Photographers and Their Customers along the West and Central African Coasts; From Monrovia to Libreville: The Careers of Several African Pioneer Photographers. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | The Democratization of Photography: The Case of Fumban, Cameroon notes; References; 5 At Home in the World: Portrait Photography and Swahili Mercantile Aesthetics; "Modernity" in African Art History; Challenging "Modernity" and "Place" on the Swahili Coast; Photography and the Colonial Moment; A Swahili Culture of Things; Portrait Photographs as Objects; Modernity on the Edge; Notes; References; 6 African Reimaginations: Presence, Absence, and New Way Architecture; The Scenario for a New History of the Modern; The Palace and the Mosque; Lacuna and History; Removals and Reinstallations. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Invisibility Difference Last Word: The Lines of a Future Argument; Notes; References; Part IV: Modernities and Cross-Cultural Encounters in Arts of the Early Twentieth Century; 7 "One of the Best Tools for Learning": Rethinking the Role of 'Abduh's Fatwa in Egyptian Art History; Introduction; Art, Islam, and the Imam; An Insightful Traveler's Observations; "And They Do Not Spare Any Effort in Preserving These Things"; Al-Suwar wa-l-Tamathil: A Fatwa without Fine Arts; Between the Educational and the Legal; The Fatwa's Five Parts; Conclusion; Notes; References. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across AfricaIncludes original and previously unpublished fieldwork-based materialFeatures new and complex theoretical arguments about the nature of modernity. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Art, African |
| Chronological subdivision | 20th century. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Art, African |
| Chronological subdivision | 19th century. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Art, African |
| Chronological subdivision | 21st century. |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Art, African. |
| Source of heading or term | fast |
| -- | (OCoLC)fst00815861 |
| 648 #7 - SUBJECT ADDED ENTRY--CHRONOLOGICAL TERM | |
| Chronological term | 1800-2099 |
| Source of heading or term | fast |
| 655 #4 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Salami, Gitti. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Visonà, Monica Blackmun, |
| Dates associated with a name | 1953- |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Display text | Print version: |
| Main entry heading | Salami, Gitti. |
| Title | Companion to modern African art. |
| Place, publisher, and date of publication | Hoboken, New Jersey : John Wiley & Sons, 2013 |
| International Standard Book Number | 9781444338379 |
| Record control number | (OCoLC)855200081 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Blackwell companions to art history ; |
| Volume number/sequential designation | 6. |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="http://onlinelibrary.wiley.com/book/10.1002/9781118515105">http://onlinelibrary.wiley.com/book/10.1002/9781118515105</a> |
| Public note | Wiley Online Library |
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