| 000 | 05806cam a2200769Ki 4500 | ||
|---|---|---|---|
| 001 | ocn727648808 | ||
| 003 | OCoLC | ||
| 005 | 20171224113634.0 | ||
| 006 | m o d | ||
| 007 | cr |n|---||||| | ||
| 008 | 110530s2011 mauab ob 001 0 eng d | ||
| 040 |
_aEBLCP _beng _erda _epn _cEBLCP _dOCLCQ _dDG1 _dYDXCP _dOCLCQ _dOCLCO _dOCLCQ _dNLGGC _dOCLCF _dOCLCQ _dOCLCO _dWAU _dDEBSZ _dOCLCO _dOCLCQ _dOCLCO _dOCLCQ _dOCL _dDEBBG _dQGK _dOCLCO |
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| 019 |
_a729724680 _a839374296 _a960033784 |
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| 020 |
_a9781444396416 _q(electronic bk.) |
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| 020 |
_a1444396412 _q(electronic bk.) |
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| 020 |
_z9781405199490 _q(hbk.) |
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| 020 |
_z1405199490 _q(hbk.) |
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| 020 |
_z9781405199506 _q(pbk.) |
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| 020 |
_z1405199504 _q(pbk.) |
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| 020 | _z1444396390 | ||
| 020 | _z9781444396393 | ||
| 024 | 7 |
_a10.1002/9781444396416 _2doi |
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| 029 | 1 |
_aAU@ _b000047226186 |
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| 029 | 1 |
_aDEBSZ _b430965168 |
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_aDEBSZ _b449229971 |
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_aNLGGC _b356482014 |
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_aNZ1 _b15341395 |
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_aDEBBG _bBV043393116 |
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| 035 |
_a(OCoLC)727648808 _z(OCoLC)729724680 _z(OCoLC)839374296 _z(OCoLC)960033784 |
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| 037 |
_a10.1002/9781444396416 _bWiley InterScience _nhttp://www3.interscience.wiley.com |
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| 050 | 4 |
_aPN1995.9.A8 _bE97 2011eb |
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| 082 | 0 | 4 |
_a302.23/43 _221 |
| 049 | _aMAIN | ||
| 245 | 0 | 0 |
_aExplorations in new cinema history : _bapproaches and case studies / _cedited by Richard Maltby, Daniel Biltereyst and Philippe Meers. |
| 260 |
_aMalden, MA : _bWiley-Blackwell, _c2011. |
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| 300 |
_a1 online resource (xi, 335 pages) : _billustrations, map. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 520 | _aExplorations in New Cinema History brings together cutting-edge research by the leading scholars in the field to identify new approaches to writing and understanding the social and cultural history of cinema, focusing on cinema & rsquo;s audiences, the experience of cinema, and the cinema as a site of social and cultural exchange. Includes contributions from Robert Allen, Annette Kuhn, John Sedwick, Mark Jancovich, Peter Sanfield, and Kathryn Fuller-Seeley among othersDevelops the original argument that the social history of cinema-going and of the experience of cinema should take precedence over. | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aIntroduction / Richard Maltby -- Methodologies : mapping cinema exhibition. Re-imagining the history of the experience of cinema in a post-moviegoing age / Robert C. Allen -- Putting cinema history on the map : using GIS to explore the spatiality of cinema / Jeffrey Klenotic -- Audience research & oral histories. What to do with cinema memory? / Annette Kuhn -- Social class, experiences of distinction and cinema in postwar Ghent / Daniel Biltereyst, Philippe Meers and Lies Van de Vijver -- Programming and popularity. Patterns in first-run and suburban filmgoing in Sydney in the mid-1930s / John Sedgwick -- Hollywood and its global audiences : a comparative study of the biggest box office hits in the US and outside the US since the 1970s / Peter Krämer -- Exhibition history as cinema history. From Hollywood to the garden suburb (and back to Hollywood) : studies in exhibition and distribution in Australia / Mike Walsh -- "No hits, no runs, just terrors" : exhibition, cultural distinctions and cult audiences at the Rialto Cinema in the 1930s and 1940s / Tim Snelson and Mark Jancovich -- Going underground with Manny Farber and Jonas Mekas : New York's subterranean film culture in the 1950s and 1960s / Peter Stanfield -- Searching for the Apollo : black moviegoing and its contexts in the small town U.S. South / Arthur Knight -- Blindsiding : theatre owners, political action and industrial change in Hollywood, 1975-1985 / Deron Overpeck -- Revisions : national cinema re-examined. The social Biograph : newspapers as archives of the regional mass market for movies / Paul Moore -- Distribution and exhibition in the Netherlands 1934-1936 / Clara Pafort-Overduin -- Film distribution in the diaspora : temporality, community and national cinema / Deb Verhoeven -- Reconsidering modernity and local cinema. Modernity for small town tastes : movies at the 1907 Cooperstown, New York, Centennial / Kathryn H. Fuller-Seeley -- Silent film genre, exhibition and audiences in South India /Stephen Hughes -- The last Bemboka picture show : 16mm cinema as rural community fundraiser in the 1950s / Kate Bowles. | |
| 588 | _aDescription based on print version record. | ||
| 650 | 0 |
_aMotion pictures _xHistory _y20th century. |
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| 650 | 0 | _aMotion picture audiences. | |
| 650 | 0 |
_aMotion pictures _xDistribution. |
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| 650 | 0 | _aMotion picture theaters. | |
| 650 | 0 |
_aMotion picture industry _xHistory _y20th century. |
|
| 650 | 7 |
_aMotion picture audiences. _2fast _0(OCoLC)fst01027116 |
|
| 650 | 7 |
_aMotion picture industry. _2fast _0(OCoLC)fst01027150 |
|
| 650 | 7 |
_aMotion picture theaters. _2fast _0(OCoLC)fst01027261 |
|
| 650 | 7 |
_aMotion pictures _xDistribution. _2fast _0(OCoLC)fst01027315 |
|
| 650 | 4 | _aFine Arts. | |
| 650 | 4 | _aSocial Science. | |
| 648 | 7 |
_a1900-1999 _2fast |
|
| 655 | 4 | _aElectronic books. | |
| 655 | 7 |
_aHistory. _2fast _0(OCoLC)fst01411628 |
|
| 700 | 1 |
_aMaltby, Richard, _d1952- _eeditor. |
|
| 700 | 1 |
_aBiltereyst, Daniël, _d1962- _eeditor. |
|
| 700 | 1 |
_aMeers, Philippe, _eeditor. |
|
| 776 | 0 | 8 |
_iPrint version: _tExplorations in new cinema history. _dMalden, MA : Wiley-Blackwell, 2011 _z9781405199490 _w(DLC) 2010051054 _w(OCoLC)692084803 |
| 856 | 4 | 0 |
_uhttp://onlinelibrary.wiley.com/book/10.1002/9781444396416 _zWiley Online Library |
| 938 |
_aEBL - Ebook Library _bEBLB _nEBL675183 |
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| 938 |
_aYBP Library Services _bYANK _n3588316 |
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| 994 |
_a92 _bDG1 |
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| 999 |
_c11077 _d11077 |
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