000 | 04191cam a2200841Ka 4500 | ||
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001 | ocn828868873 | ||
003 | OCoLC | ||
005 | 20171224114219.0 | ||
006 | m o d | ||
007 | cr cn||||||||| | ||
008 | 130304s2013 nju ob 001 0 eng d | ||
040 |
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020 |
_a9781118391501 _q(electronic bk.) |
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020 |
_a1118391500 _q(electronic bk.) |
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020 |
_a9781118391518 _q(electronic bk.) |
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020 |
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020 |
_a9781118391488 _q(electronic bk.) |
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020 |
_a1118391489 _q(electronic bk.) |
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020 | _z9781444337266 | ||
020 | _z1444337262 | ||
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035 | _a(OCoLC)828868873 | ||
037 |
_aE6FE34C9-F929-4666-A395-A09D6FD25031 _bOverDrive, Inc. _nhttp://www.overdrive.com |
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043 | _ae------ | ||
050 | 4 |
_aN6370 _b.C585 2013eb |
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_a709.02/4 _223 |
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049 | _aMAIN | ||
245 | 0 | 2 |
_aA companion to Renaissance and Baroque art / _cedited by Babette Bohn and James M. Saslow. |
260 |
_aHoboken : _bWiley-Blackwell, _c2013. |
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300 | _a1 online resource. | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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490 | 1 | _aBlackwell companions to art history | |
520 |
_a"Through the masterpieces produced by artists ranging from Michelangelo and Leonardo to Rembrandt, Rubens, and Vermeer, Europe's Renaissance and Baroque period grew into one of the most creative times in world history. A Companion to Renaissance and Baroque Art presents a comprehensive collection of interdisciplinary essays that address major aspects of European visual arts produced from approximately 1300 to 1700, a period of artistic flourishing that many consider the beginning of modern history. These essays, however, transcend the traditional period labels of "Renaissance" and "Baroque" by addressing works from Duccio and Chaucer to Velazquez and Newton as a single continuum, inclusive in terms of both disciplinary and geographical boundaries, as an era best characterized as "early modern.""-- _cProvided by publisher. |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _apt. 1. The context : social-historical factors in artistic production -- pt. 2. The artist : creative process and social status -- pt. 3. The object : art as material culture -- pt. 4. The message : subjects and meanings -- pt. 5. The viewer, the critic, and the historian : reception and interpretation as cultural discourse. | |
588 | 0 | _aPrint version record. | |
650 | 0 | _aArt, Renaissance. | |
650 | 0 | _aArt, Baroque. | |
650 | 7 |
_aART _xHistory _xRenaissance. _2bisacsh |
|
650 | 7 |
_aArt, Baroque. _2fast _0(OCoLC)fst00815997 |
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650 | 7 |
_aArt, Renaissance. _2fast _0(OCoLC)fst00816786 |
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650 | 7 |
_aBarock. _0(DE-588)4004541-9 _2gnd |
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650 | 7 |
_aKunst. _0(DE-588)4114333-4 _2gnd |
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650 | 7 |
_aRenaissance. _0(DE-588)4049450-0 _2gnd |
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655 | 4 | _aElectronic books. | |
700 | 1 |
_aBohn, Babette, _d1950- |
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700 | 1 | _aSaslow, James M. | |
776 | 0 | 8 |
_iPrint version: _tCompanion to Renaissance and Baroque art. _dHoboken : Wiley-Blackwell, 2013 _z9781444337266 _w(DLC) 2012033135 _w(OCoLC)808245014 |
830 | 0 | _aBlackwell companions to art history. | |
856 | 4 | 0 |
_uhttp://onlinelibrary.wiley.com/book/10.1002/9781118391488 _zWiley Online Library |
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